History (Origin
and Development) of Jujutsu:
It has been
said that the origin of Japanese wrestling dates back
1,960 years ago when a certain Nomino Sukune grappled with and killed
Taimano Kehaya in the seventh month of the seventh year of the
eleventh Emperor Suinin. In view of the recorded statement; “The
two men stood up face to face and kicked each other; Sukune kicked
Kehaya in the ribs and stomped on and crushed his waist and killed
him.” This incident may be regarded as the origin of Jujutsu.
Then during the first year of Temmon in the reign of Emperor
Gonara at the end of the period of Civil War (400 years ago), the
Takenouchi School of Jujutsu was systematized. Again during the
Keicho Era (340 years ago) a Chinese came to Japan and taught an Art
of boxing; about forty years later another Chinese visited Japan and
introduced an Art of seizing one’s opponent. In the course of time
some of the forms and techniques were eliminated, while others were
harmonized with the Art of the old Jujutsu. Through the process of
elimination and harmonization, a new Art known as Yawara was created
and was extensively popularized. This is the origin of the present
day Judo. During the Edo period various schools of Judo were brought
into existence, of which the following were the leading ones:
Tokeuchi,
Teihozan, Araki, Muso, Miura, Fukuno, Isogai, Seigo, Kajiwara,
Sekiguchi, Shibukawa, Kito, Yoshin, Kyushin, Kanshin, Yoshioka, Iga,
Sosuishitsu, Iwaga and Nambashoshin.
Instructions
Regarding the Practice of Judo:
The fundamental
principle acquired through the practice of Jujutsu
was elevated to a finer moral conception called Judo -
the Way of Gentleness. It may well be said that the primary
object of practicing Judo is perfection of character. And in
order to perfect one’s character, one must be grateful for the
abundant blessings of Heaven, Earth and Nature, as well as for the
great love of parents; one must realize one’s enormous debt to
teachers and be ever mindful of one’s indebtedness to the general
public. As a member of a family, one’s first duty is to be filial
to parents, to be helpful, to be harmonious with one’s wife and be
affectionate to brothers and sisters. As a member of a nation, one
must be grateful for the protection which one derives as a citizen,
must guard against self-interest and foster the spirit of social
service; one must be discreet in action, yet hold courage in high
regard and strive to cultivate the powers of manhood; one must be
gentle, modest, polite and resourceful, never eccentric, but striving
always to take the Golden Mean. One must realize that these
constitute the secret of the practice of Judo.
A Brief
Personal Account of the Judo Master:
Born in Fukushima
Prefecture, Japan, I came to Hawaii in 1906.
When I was nineteen years of age, a doctor who was practicing in
Hilo, Hawaii, pronounced that I was suffering from a lung disease.
For a time my spirits sank. Then I mustered my courage and, at the
risk of my life, took up Judo under the direction of Judo Master
Kichimatsu Tanaka, then the proprietor of the exercise hail of Shinyu
Kai. In the subsequent course of my relentless practice of Judo, I
miraculously conquered the disease and acquired an iron physique. I
was convinced that my new life and superb health were entirely due to
Judo and I dedicated the rest of my life to its practice and
propagation. In the course of time, I mastered the Yoshin, Iwaga and
Kosogabe Schools of Judo in HiJo. At the same time, I also acquired
the Art of Ryukyunan boxing and the technique of Filipino knife play
and created what I have called the Danzan School by coordinating the
strong points of all these Arts and techniques into one form.
In September 1922, when Morrison, an American boxing champion,
came to Hawaii, I challenged him and brought him to his knees in
spectacular fashion. This undoubtedly enhanced the reputation of
Japanese Judo, both at home and abroad.
In 1924, I returned to Japan. During my sojourn, I visited more
that fifty Judo exercise halls throughout Japan. In the course of my
travels, I acquired 675 different kinds of technique or forms of Judo
and returned to Hawaii with a Certificate of Third Grade. For a while
I taught Judo on the Island of Maui., but in 1929 I opened an office
for massage and chiropractic practice and established the Koden
Kan in Honolulu for the propagation of Judo among all racial groups.
I have been in this profession ever since.
Primary Forms
and Techniques of the Danzan School:
Anyone who practices Jujutsu should neither be afraid of the
strong nor despise the weak, nor should he act contrary to the
strength of his enemy because of the Art he has acquired. For
example, when a boat is set afloat on the water, one man’s strength
is sufficient to move the boat back and forth. This is possible
because the boat floats, if, on the other hand, the boat is placed on
dry land, the same man’s strength is scarcely sufficient to move
it. It is necessary, therefore, that the weak should learn this fact
with regard to the strong.
Fundamental
Forms and Techniques:
YAWARA
1. Katate Hazushi A Outside wrist hold break
2. Katate Hazushi B Inside wrist hold break
3. Ryote Hazushi Two hand hold break
4. Morote Hazushi Two hand on one break
5. Yubi Tori Hazushi Finger grip break
6. Momiji Hazushi Breaking a choke
7. Ryoeri Hazushi Two hands on lapel break
8. Yubi Tori Hand hold on sensitive third
9. Moro Yubi Tori Handhold using all the fingers
10. Katate Tori One hand wrist break
11. Ryote Tori Two hand or double wrist break
12. Tekubi Tori A Wrist hold break and right
arm
twist
13. Tekubi Tori B Wrist hold break and left
arm
twist
14. Imon Tori Break hand – pushing chest
15. Ryoeri Tori Break two hand grip on lapels
16. Akushu Kote Tori Break handshake and twist
wrist outwards
17. Akushu Ude Tori Apply armbar from handshake
18. Akushu Kotemaki Tori Break handshake & apply
arm & wristlock
19. Kubi Nuki Shime Break headlock and apply
hammerlock
20. Hagai Shime Full nelson, break and throw
NAGE NO KATA
1. Deashi
Harai A lower foot sweep
2. Sasae Ashi A leg stop
3. Okuri Harai A sidestep throw
4. Soto Gamma An outside sickle
5. Uchi Gamma An inside sickle
6. Soto Momo Harai An outside thigh sweep
7. Uchi Momo Harai An inside thigh sweep
8. Ogoshi A loin throw
9. Utsuri Goshi Ogoshi with leg sweep
10. Seoi Nage Flying mare
11. Ushiro Goshi Counter for Seoi Nage
12. Seoi Goshi A cross loin throw
13. Tsurikomi Goshi An arm over loin throw
14. Harai Goshi A hip and leg throw or fast
Soto
Momo
15. Hane Goshi A lower leg and hip throw
16. Uki Otoshi A cross leg throw
17. Makikomi A loin throw and armbar
18. Kane Sute A flying scissors
19. Tomoe Nage A circle throw
20. Yama Arashi Break collarbone, throw, armbar
&
strangle
SHIME NO
KATA
1. Yeri Gatame A throw & apply headlock
with arm
outside
2. Kata Gatame A throw & apply headlock
with arm
inside
3. Juji Gatarne A throw & apply cross body
lock
with scissors on arm
4. Shiho Gatame Counter
Seoi Nage and use smother
hold
5. Sankaku Gatame Miss Tomoe Nage and apply
figure-4
scissors
6. Ushiro Gatame Duck under swing – dislocate
shoulder
7. Namijuji Shime Choke with fingers inside
from
throw
8. Gyakujuji Shime Choke with thumbs inside
9. Ichimonji Shime Choke with one long and one
short
using the jacket
10. Tsukikomi Shime Choke using first one hand then
the other
11. Hadakajime A Choke by using the head in
front of
body without the jacket
12. Hadaka Jime B Choke by using the arm around
neck
in back of body without jacket
13. Hadaka Jime C Choke by using the arm around
neck in back of body without jacket
14. Dakikubi Jime Throw with headlock –
then apply
pressure
15. Osae Gami Jime Grab hair and chin and break
neck
by a quick twist from a throw
16. Kote Jime Throw and armlock with body across
to
keep opponent down
17. Tenada Jime Armbar from throw and choke
18. Do Jime Scissors and armbar by missing
Tomoe
Nage
19. Ashi Karame Jime Leg split and choke
20. Ashi Nada Jime Leg lock or leg breaker
21. Ashi Yubi Jime Leg lock and foot twist
22. Momo Jime Break from leg scissors
23. Shikano Itsusoku Leg and hammerlock
24. Shidaro Fuji Jime Choke with foot by missing
Tomoe Nage
25. Tatsumaki Jime Reverse armbar
Forms and
Techniques for the Juvenile Division:
Yonen Bu no kata
1. Deashi Harai A lower foot sweep
2. Sasae Ashi A leg stop
3. Okuri Harai A sidestep throw
4. Soto Gamma An outside sickle
5. Uchi Gamma An inside sickle
6. Soto Momo Harai An outside thigh sweep
7. Uchi Momo Harai An inside thigh sweep
8. Ogoshi A loin throw
9. Seoi Nage Flying mare
10. Seoi Goshi A cross loin throw
11. Tsurikomi Goshi An arm over loin throw
12. Harai Goshi A hip and leg throw or fast
Soto
Momo
13. Hane Goshi A lower leg and hip throw
14. Makikomi A loin throw and armbar
15. Tomoe Nage A circle throw
Intermediate
Forms and Techniques:
OKU NO KATA
1. Deashi Hayanada Lower foot sweep and armbar
2. Ogoshi Hayanada Hip throw and armbar
3. Seoi Hayanada Flying mare and armbar
4. Norimi Hayanada Counter for Ogoshi and choke
5. Sumigaeshi Side circle throw catching
both ankles
6. Mizukuguri Block
blow to the ears by throwing
over back with hands
7. Maeyamakage Counter
Seoi Nage, throw over back
and break collarbone
8. Komiiri Leg split when opponent crouches
low
9. Kotegaeshi Block double swing, break arm
and
strangle
10. Saka Nage (sic) Arm and rib break from stomach
bump
11. Gyakute Nage Block swing, throw, step across,
break arm
12. Hontomoe Circle throw, strangle Ashi Karame
13. Katate Tomoe One arm circle throw
14. Shigarame Block swing, break arm, throw
Seoi
Nage
15. Gyaku Shigarame Hold opponent helpless in
hammerlock with one foot
16. Kote Shigarame Hold opponent helpless with
one
hand
17. Koguruma Counter for Mizukuguri
18. Tora Nage Three headlock hip throws and
a kick
to the spine
19. Tora Katsugi Throw with Obi and strangle
20. Arashi Otoshi Quick strangle and back throw
21. Hiki Otoshi Throw opponent on stomach &
apply leg bar
22. Kinu Katsugi Side circle throw on one knee
23. Kin Katsugi Hit testicles, throw side circle
throw
24. Kazaguruma Boston crab with opponent’s
feet
high in the air
25. Jigoku Otoshi Airplane spin
The foregoing forms and techniques are the principle ones which
belong to the intermediate group. As aptly expressed in a poem:
“The
boughs that bear most hang lowest.”
One should never forget the virtue of modesty as one attains
proficiency in the Art of Judo. Make no relative importance between
literary and military Art. Within constant motion and change there is
tranquility and within tranquility there is motion and change.
Remember always parental love and one’s enormous indebtedness to
teachers. Be grateful for the protection of Heaven and Earth.
Be a good leader of younger men. To lead younger men well would in
the long run mean to attain proficiency in the skill of Judo.
Like a drawing in India
ink of the whispering of the wind in the pines, the secrets of
Jujutsu can only be suggested. It is only through personal experience
that one can comprehend the mystic ecstasy of such secrets.
It is said of Jujutsu that it would require ten years of practice
in order to win victory over one’s self and twenty years to win
victory over others. A noted verse reads:
“For
the Lotus flower to fall is to rise to the surface.”
It is only be entering into the realm of open-mindedness that one
is able to acquire or master the secret Art of selflessness and
altruism.
These are the secrets of Koden Kan into which I have had the honor
to initiate you.
Henry S. Okazaki
Judo Master &
Owner of Koden Kan
Honolulu, Hawaii
May 5, 1939
Richard P.
Rickerts, Assistant Master
Densel E. Muggy,
Assistant Master