The Kodenkan Judo of Master Okazaki

| "These are the Keys..." | Okugi | Harold McLean | Overview of Kodenkan | Introduction to Shinin no Maki | The Meaning of Judo | The Meaning of Kodenkan | Sincerity | The Breeze in Sumi-E | True Man | Bibliography | AJG Newsletter, Nov 1941 | Marion Anderson's Notebook | Official Kodenkan Mokuroku | Okazaki's 1925 Diploma | Letter from Bud Fuller | Tsaikontan Classic | Citations I | Citations II | Judo, The Gentle Way (Excerpts) | Taoist Tales | Even Hell under the Upraised Sword | Kodenkan Musings | Historical Photos | 3 versions Esoteric Principles

The Breeze in Sumi-e

The following is quoted from “Returning to Silence”, by Dainin Katagiri. Shambhala, 1988, pages 63-65.

“In Japan, there is an art form called sumi painting. Sumi painting uses just black ink and a brush. Blank ink is black ink, but the black ink is not black as a single color. If you paint a pine tree with black ink, that one color creates many colors. Perhaps you have seen a sumi painting; tiny boat, fisherman in the boat, ocean. And in the corner, just one tree; that’s all. Can you imagine this? Just one tiny boat, and just one little tree, and no colors, just white. White is one color, but from white, space is created, and many colors. From this you can see the huge scale of the world: sunny days, cloudy days, oceans – all this expressed in different ways. From sumi painting you can feel this; this is why in sumi painting black is not just black.

“Another characteristic of sumi painting is that with sumi painting you have to listen to the Rhythm of the universe, the Rhythm of the world – the tree, the boat, the ocean. The ocean is white, but you have to have eyes to see, ears to listen to the rhythm of the ocean, the Rhythm of the boat, the rhythm of the tree. This is very important. For instance, there is an interesting poem composed by Ikkyu Zenji, a famous Zen master. It says:

And what is it, the heart?

It is the sound of the pine breeze

There in the sumi painting.

“According to Buddhism, mind is just like the sound of the pine breeze in the sumi painting. There, on the paper, is the pine tree, and the ocean, and the boat. And you can feel the breeze, and the sound of the breeze, from the painting.

“In another poem a Zen master says:

The breeze in sumi painting

How cool it is!

Even oneness disappears

When culminating in not-two.

“The two mean the dualistic world. For instance, when you want to swim, there is the ocean and there is you. It is dualistic. “Culminating in not-two” means jump into the ocean. Ocean and you become one. That is the ultimate state of becoming one. In other words, oneness is not an idea of oneness. The oneness of the ocean and you is constantly moving from moment to moment. We do not realize it, but mind is always picking up activity right at the moment of activity. When you pick up activity; immediately it is form or experience. But right in the midst of activity there is no form. All you have to do is just be there. This is oneness.

“Oneness is the Rhythm of the sameness of ocean and you. At that time it is called “to swim.” To swim is constantly to swim. If something is wrong with the power of your body, you cannot swim. So your whole body and mind must be operating smoothly; that is “to swim.” It is leaving no trace of any form. That is why the Zen master says, “Even oneness disappears when culminating in not-two.” That is the breeze in sumi painting. It is not something dead. It is something you have to realize. It is cool. “How cool it is” means you cannot explain, but you can feel how cool it is. That is most important. If you leave no trace of any form, experience becomes just like a breeze in the sumi painting.

“In sumi painting there is something painted by a brush; but even though you paint the pine tree on paper, that pine tree is not something painted. It must be something alive, something that is exactly the same as the pine tree living in nature. At that time, people are moved by the painting. When you really understand the pine tree, the pine tree becomes alive on the paper. You can feel the breeze moving in the pine tree. You can feel the sound of the breeze and how cool it is. You cannot explain it, but it is beautiful.”



Prepared by: David A. Scheid